برامس | مرثیه آلمانی

We now show a live recording of Brahms’s Deutsches Requiem from the 1978 Salzburg Festival with Herbert von Karajan conducting and Gundula Janowitz and José van Dam as the soloists. A work full of consolation and warmth, Karajan’s expansive interpretation highlights its grand arcs. In addition to the Berliner Philharmoniker, the performers include the Wiener Singverein which was once conducted by Brahms himself.

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Herbert von Karajan’s fascinating artistic concept included combining the subjective expressiveness of Wilhelm Furtwängler with the strict objectivity of Arturo Toscanini. In other respects, too, the stylistic profile of the conductor seemed to consist of the balance of opposites: magnificent sound and transparency, tonal beauty and precise articulation. As markedly as Karajan made reference to role models and existing trends, he was at the same time a singular phenomenon in the music world of the 20th century. In some respects, Adorno’s remark that the conductor was the “genius of the economic miracle” is difficult to dismiss. It could be seen, for example, in his ostentatious display of personal wealth, the millions of recordings sold, and in his active contribution to the development of sound engineering. However, his constant media presence contrasts with his humble approach to the masterpieces of music, and the rock-solid Kapellmeister training he initially received at the opera houses in Ulm and Aachen. Although Karajan was particularly fond of Beethoven, Richard Strauss and Richard Wagner, his versatility as an opera and concert conductor was extremely impressive. His recordings of core works of French Modernism and the Second Viennese School, for example, still set standards today. Karajan’s unprecedented achievements as chief conductor of the Berliner Philharmoniker included the founding of the Salzburg Easter Festival and, above all, the opening of Hans Scharoun's Philharmonie, tailored precisely to his ideas. Meanwhile, in Karajan’s final years of life, conflicts began to accumulate, leading the conductor to cancel his contract with the orchestra just a few months before his death. Nevertheless, the more than 30-year-long artistic partnership of the Berliner Philharmoniker and Herbert von Karajan represents an unusually productive epoch in the history of musical interpretation that has a lasting effect right up to the present.

یوهانس برامس

Few could have imagined that Johannes Brahms from Hamburg’s lower middle classes, the son of a musician who appeared primarily in dance halls, would become one of the most respected composers. From an early age, Brahms showed talent as a pianist and composer of piano works. The violinist Joseph Joachim arranged his meeting with Robert Schumann, who wrote of the great future he saw for the 20-year-old. However, to the self-proclaimed musicians of the future around Richard Wagner, Brahms would later be regarded as a man of the past. In fact, Brahms took up the Romantic rediscovery of Bach and Handel, and broadened his view by studying even earlier composers. He succeeded in creating a unique synthesis of his unmistakable late-Romantic idiom with aspects of the musical language of the Classical and Baroque periods. His Deutsches Requiem became a great success, and in later years, the composer could live with no financial worries in his adopted home of Vienna from the sales of his works and his performances as a pianist and conductor. Johannes Brahms appeared with the Berliner Philharmoniker performing his own works on several occasions. The chief conductors Hans von Bülow and Wilhelm Furtwängler felt a strong commitment to the composer and contributed to the fact that the split between Brahms and Wagner followers faded. Herbert von Karajan, Claudio Abbado and Sir Simon Rattle also devoted themselves intensively to Brahms’ orchestral works.

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برامس | مرثیه آلمانی

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برامس | مرثیه آلمانی

بتهوون |میسا سولمنیس

سمفونی شماره ۵ بتهوون | کارایان ۱۹۶۶

دبوسی | دریا

دبوسی | پیش درآمد بعدازظهر یک دیو

سمفونی شماره ۹ دورژاک

راول | دافنیس و کلویی

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یوهانس برامس

Digital Concert Hall

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